Rumsey Family - Table of Contents

Aaron Rumsey

History Beneath Illustrations


See also:
A panoramic sketch of Delaware Avenue  by an Artist from the Tower of Westminster

Rumsey Monument, Forest Lawn Cemetery




Photo courtesy of  Nicholas P. and Monica S. Rumsey



Original oil portrait of Aaron Rumsey (1797-1864)
¾ view, circa 1820. Dimensions as framed: 33 by 27-1/2 inches.
This portrait may have been done as a wedding portrait with its pendant portrait of Sophia Phelps Rumsey (see below) because the couple were wed in Warsaw, NY, in 1819. 

Due to similarities in style, date, and location, both portraits
 may have been painted by John Lee Douglas Mathies (1780-1834), same year that Mathies painted Red Jacket in Warsaw, NY (auctioned by Christie’s in 2015. See:John Lee Douglas Mathies (1780-1834) (christies.com)). 
Conserved circa 2018 by Emily Gardner Phillips, Essex,NY
. Reframed by Nicholas Rumsey circa 2019. 
This portrait and its pendant,of Sophia Phelps Rumsey, were given to Nicholas by his cousin, Molly Mugler, daughter of the late Rumsey family historian Margot Rumsey Mugler, daughter of Dexter Phelps Rumsey II.

Aaron Rumsey, ca. 1820, probably a wedding portrait
Photo courtesy of  Nicholas P. and Monica S. Rumsey



Photo courtesy of  Nicholas P. and Monica S. Rumsey



Photo courtesy of  Nicholas P. and Monica S. Rumsey





Original oil portrait of Sophia Phelps Rumsey (1796-1870)
¾ view, circa1820. As framed: 33 by 27-1/2 inches.
Like its pendant portrait of Aaron Rumsey, this painting may have been done as a wedding portrait, because Sophia is shown wearing a French lace wedding bonnet, a style popular in the 1800s. 
Due to similarities in style, date, and location, both portraits may have been painted by John Lee Douglas Mathies (1780-1834)same year that Mathies painted Red Jacket (auctioned by Christie’s in 2015.). 
Conserved circa 2018 by Emily Gardner Phillips, Essex, NY.   Reframed by Nicholas Rumsey circa 2018.


Photo courtesy of  Nicholas P. and Monica S. Rumsey





An early lithograph of the Aaron Rumsey mansion which was razed and replaced by the Williams mansion.Source: "The Picture Book of Earlier Buffalo," Severance, Frank H., ed. Buffalo Historical Society Publications, Vol. 16, 1912



Sepia-toned photograph, Thomas Rumsey Farm, Hubbardton, Vermont
Image dimensions: 10 by 13-1/2 inches.  As framed: 18 by 23 inches. 
[Please note correct spelling of town in Rutland County, VT. NOT “Hubbardstown,” as published in Buffalo's Delaware Avenue: Mansions and Families, by Edward T. Dunn. Canisius College Press, 2003.]
Descriptive title quoted above is written in pencil on the mat, in the handwriting of the late Margot Rumsey Mugler, daughter of Dexter Phelps Rumsey II.


Framed photograph of Rumsey Leather Tannery
Black-and-white, approximately 11 by12-1/2 inches, likely a copy of an earlier photograph. 
Inscribed in pencil onpaper backing (in handwriting of the late Margot Rumsey Mugler, daughter of Dexter Phelps Rumsey IIand unofficial family historian), “Rumsey Leather Tannery in Griffins Mills, N. Y.” However: buffaloah.com website says it was located in Holland, NY.) 
According to Wikipedia: “Griffins Mills is a hamlet in the town of Aurora in Erie County, New York, United States.[1 It lies on the West Branch of Cazenovia Creek in the area once known as West Aurora. Griffins Mills was founded in the early 19th century at the site of a mill. It is located in zip code 14170"

Photo courtesy of  Nicholas P. and Monica S. Rumsey




Advertising Print, A. Rumsey & Co. 
Lithograph on paper. Image dimensions: 18 by 23inches; as framed: 25-3/4 by 30-5/8 inches. Frame made by Nicholas P. Rumsey, circa 2009.
Inscribed above oval image, in large Gothic lettering: A. Rumsey & Co. Inscribed immediately below image, in small sans-serif font, all caps: “CLAY& CO. BUFFALO, N.Y.” Inscribed below oval image, in large Gothic lettering: Manufacturers of Hemlock Sole Leather. And below that, in all caps: “BUFFALO, N.Y.”
Oval-shaped image shows a grassy field with a cattleman on horseback roping a longhorn steer, likely the primary source of the firm’s leather goods. Hemlock sole leather was tanned a rich, reddish-brown color using tannin from the bark of the Eastern hemlock tree. [SEE: Hemlock and Hide: The Tanbark Industry in Old… | Summer 2011 | Articles | F (northernwoodlands.org)]
Conserved by professional paper conservator in Richmond, VA, circa 2010-2012.

Photo courtesy of  Nicholas P. and Monica S. Rumsey


The text below is excepted from
Buffalo's Delaware Avenue: Mansions and Families
By Edward T. Dunn.
Pub. by
Canisius College Press 2003, pp. 153-154

The home of Aaron, progenitor of the Buffalo Rumseys, was on the northwest corner of Delaware and North, and that of his younger son, Dexter Phelps Rumsey, a block north on the southwest corner of Delaware and Summer. When they were built in the 1850s they were both way up the Avenue.

Aaron Rumsey was born in Hubbardstown, Vermont, in 1797. His brother Calvin had left home and settled in Warsaw where he set up and operated a tannery. Aaron walked all the way across the state to join him.

In Warsaw Aaron married Sophia Phelps in 1819. They had two sons, Bronson Case, born in 1823, in Warsaw, and Dexter Phelps, born in 1827 in Westfield.

The family came to Buffalo in 1832 and lived on the west side of Ellicott north of Seneca. By now Aaron had built several tanneries throughout Western New York. Of this industry Walter Dunn writes: "Railroads had made Buffalo a cattle mart as well [as a milling center], a fact taken advantage of by Jacob Dold and Christian Klink to set packing firms. ... Slaughter of animals inevitably set tanneries going, George Palmer's and Aaron Rumsey's among the earliest:"

Hides shipped down Lake Erie from the West sold cheap in the Buffalo market. Heavy stands of hemlock in the vicinity provided cheap bark. As a consequence tanneries multiplied, the manufacture of leather throve. By 1835 at least every town in the county [Erie] had a tannery, some two or three.

Notable were those in [East] Aurora and Holland built by Aaron Rumsey in 1843 and 1850; notable also the one opened in 1849 in Lancaster by Myron P Bush and George Howard. Less extensive was Jacob Schoellkopf's Hamburg tannery of 1843; but Schoellkopf's enterprise was not limited to Hamburg. Like Howard, Bush and Rumsey, he developed his most ambitious concerns in Buffalo, where by the middle fifties about a dozen tanneries fumed profitably, representing a capital of $1,000,000 and employing about 500 workmen, the auspicious start of an industry that would expand to large proportions in the years to come.

In 1838 Rumsey took on as a partner George Howard. The result was Rumsey & Howard; in 1842 Howard left and formed a partnership with John Bush, forming Bush & Howard. In 1847 Aaron took on his sons, Bronson and Dexter, who had been clerking for him, as partners in Aaron Rumsey & Company. Its Buffalo operation was on Exchange Street across from the Central Station.

From Ellicott Street Aaron moved in 1853 to #53 East Swan, since Ellicott, Washington, and Exchange Streets were going commercial. Swan at the time was judged a desirable residential location, but it too was succumbing to commercialization, and Aaron moved again, this time two and a half miles north to Delaware and North.

Delaware and North

In 1856 he bought "a large tract of land between what is now North and Summer Streets, facing and extending west from Delaware Avenue," upon which he built the red-brick mansion into which he moved in 1856. The barn matched the main house and the glass conservatory on North was the most unique structure ever seen by most Buffalonians.

The land purchase was not merely for a home. Aaron was investing his profits in real estate around the city. With its rapid growth during the nineteenth and early twentieth century, his heirs would be most grateful for his choice.

He died in 1864, and his widow in 1870.


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