Arts & Crafts - Table of Contents
Charles Rohlfs House
156 Park Street, Buffalo, NY
Architects: Colson and Hudson
TEXT UNDER THE ILLUSTRATIONS
Rohlfs was perhaps eclipsed by his famous wife, detective novelist Anna Katharine Green.
|Rohlfs House in July 2001
Arts & Crafts/Craftsman Style
|Chair designed by Charles
59"H x 27"W.
(The chair was being offered for sale on the Internet for $15,000 in July 2001.)
- Photo: So Rare Galleries (2001)
|Rohlfs Memorial in Forest Lawn, Buffalo, NY, Section 27
Charles Rohlfs (1853-1936) was one of the American Arts & Crafts Movement's most creative artists/craftsmen. He strayed from the simple lines that Gustav Stickley so religiously used, instead employing a style rich in carvings and wonderful ornament from both other cultures and other styles, including Chinese, medieval and Art Nouveau.
Rohlfs was tall with a commanding voice and made his stage debut as an actor in Boston in 1868. In 1884, he married Anna Katharine Green, who became one of America's most successful detective fiction writers. Green's father was 75 and as a condition of the marriage required that Rohlfs give up his acting career. Rohlfs returned to a craft he had learned while attending Cooper Union, the design and crafting of iron stoves.
The Rohlfs moved to Buffalo in 1888 and lived at 26 Highland Avenue. They decided to stay in Buffalo and bought property at 156 Park Street and build a Craftsman style home designed by Rohlfs who also designed the furniture in a style related to the later Mission Style. Rohlfs was now actively engaged in his career as a furniture designer and established a studio.
He opened his first commercial workshops (and a furniture company in Buffalo) in 1898, and the Marshall Field's Department Store held an exhibition of his work in 1900. His furniture was well received world wide. After an exhibition in Turin in 1902 Rohlfs was made a fellow of the Royal Society of Arts in London and commissioned to provide a set of chairs for Buckingham Palace.
Despite the highly decorative nature of his furniture, Rohlfs's work is still considered part of the Arts & Crafts movement due to his highly-individualistic, sophisticated design vocabulary as well as his use of quarter sawn white oak, fully-expressed joinery and relatively direct approach to forms.
In BuffaloRohlfs married Green on November 25,1884, at the South Congregational Church in Brooklyn, New York.
In the midst of their mutual successes over the next several years - Green's flurry of publishing and Rohlfs's achievements in acting and industrial design - on July 29, 1887, the couple and their children (twenty-three-month-old Rosamond and newborn Sterling) moved upstate to Buffalo.
Rohlfs's work in industrial design had yielded him a number of patents for stove designs and a job offer in the "Queen City of the Great Lakes " from Sherman S. Jewett and Company. Buffalo was to be their home for the next forty- five years. Here they continued earlier efforts to design and make furniture for themselves that was appropriate to their artistic taste.
- Joseph Cunningham, "Anna Katherine Green and Charles Rohlfs: Artistic Collborators," in The Magazine Antiques, December 2008, p. 70
Charles Rohlfs and Gustav Stickley
Rohlfs distanced himself not just from Stickley, but from any design movement whatsoever, preferring to think of his creations as "artistic" furniture.
When lecturing at Chautauqua, New York, in 1902 about the burgeoning American arts and crafts movement, Rohlfs specifically impugned what he thought of as merely commercial enterprises, such as Stickley's, the Roycrofters in East Aurora, L. and J. G. Stickley, and Charles P. Limbert.
Stickley, on the other hand, sought to build a brand name and successful business by publicly ignoring his most direct competition. For example, while he and Rohlfs exhibited across the aisle from one another at the Pan-American Exposition in Buffalo in 1901, and Stickley published a picture of his booth with Rohlfs's installation visible in the background in the second issue of his Craftsman magazine, he neither acknowledged Rohlfs's participation in the exhibition, nor covered Rohlfs's work in any way in the magazine....
Rohlfs's earliest known furniture predates Stickley's first arts and crafts experiments by more than a decade....
Although determined competitors, Charles Rohlfs and Gustav Stickley on some level must have admired and respected one another's contributions to furniture design... each learned from the other in what might be called a conversation of western New York furniture makers.
Stickley was clearly inspired by Rohlfs's designs and benefited from his sense of lightness, elegance, and sophistication, while forging his own vision of austere beauty adapted to repeated production.
Rohlfs's style featured exquisite carving, subtlety of line and form, and boundless creativity, but he learned some lessons in proportion, construction, and design unity from Stickley.
- Joseph Cunningham, "Conversation in Western New York: Charles Rohlfs and Gustav Stickley, The Magazine Antiques, May 2008, pp. 120-129
Anna Katharine "Kitty"
Section 27, Lot 732
Ms. Green was born in Brooklyn, NY, on November 11, 1845, to James Wilson Green,
a prominent attorney and Catherine Ann Whitney Green. Her mother died when
Katharine was three months old. Her father remarried Grace Hollister of Buffalo.
The family then moved to Buffalo. Anna attended Ripley Female College in Poultney,
Vermont, receiving a B.A. degree in 1866.
See also; IMDb: Anna Katharine Green for movie information