Queen Anne Style - Table of Contents........ Styles of Architecture

Queen Anne Style in Buffalo, NY - EXTERIORS
1880-1910

On this page below:

Features

Other examples of online sites

History



Click on photos for larger size

Essential feature: Asymmetrical facade

Illustration:
409 Linwood Ave.

Dominant front-facing gable

Illustrations:
Bemis House, 267 North St.

Gable is cantilevered out beyond the plane of the wall below

Illustration:
361 Porter Ave., 390 Linwood Ave.

Towers may be round, square, or polygonal (this example)

Illustration:
38 Orton Place.

Wooden tower cantilevered out at the second floor

Illustration:
361 Porter Ave.

Tower rises from ground level

Illustration:
Maytham-Millonzi House

Tower is placed at a front facade corner

Illustration: 446 Linwood Ave.

Essential feature: A porch always covers part or all of the front facade

Illustration:
405 Linwood Ave.

Porches always include the front entrance area

Illustration:
390 Linwood Ave.

Second-story porch

Illustration:
38 Orton Place.

Pedimented porch

Illustration: 437 Linwood Ave.

Se also: Tympanum.  In Queen Anne, often decorated with applied wood or plaster in foliated shapes

Essential feature: Differing wall textures - Patterned wood shingles shaped into varying designs, including "fish scale"

Illustration:
584 West Ferry St.

Differing wall textures - Terra cotta tiles on walls (unusual for Buffalo, but common in England)

Illustrations: 426 Franklin St.

Differing wall textures on masonry houses - terra-cotta panels

Illustration:
Bemis House, 267 North St.

Differing wall textures - a variety of materials are used on the different stories, e.g., shingle over brick

Illustration:
409 Linwood Ave.

Brackets accentuate real and false overhanging

Illustrations:
406 Linwood Ave., 584 West Ferry St.

Decorative terra-cotta panels in gable

Illustration:
Bemis House, 267 North St.


Gable is decorated with patterned shingles and more

Illustration:
409 Linwood Ave., 437 Linwood Ave., 409 Linwood Ave.

Dentils

Illustration:
361 Porter Ave.

Classic columns (Ionic in these examples)

Illustration: 467 Linwood Ave.,
584 West Ferry St.

Spindle work

Illustration:
The Butler House, 429 Linwood Ave.

Oriel window

illustration:
406 Linwood Ave.

Slate roof

Illustration:
Granger House

Vergeboard

In Eastlake and Queen Anne styles, carved vergeboards sometimes include scroll-sawn cutouts, bull's eyes, beaded spindles, turned spindles, sunbursts, or (drop) pendants.

Other examples in Buffalo:


History

The Queen Anne style was the quintessential American Victorian house with "bric-a-brac" and "gingerbread." It was the dominant style of domestic building during the period from about 1880 until 1900; it persisted with decreasing popularity through the first decade of the 20th century.

The style is varied and decoratively rich. Queen Anne houses often often employed elaborate woodwork of the Eastlake type. At the time of construction it was not uncommon for the houses to be painted with as many as six or seven different colors to bring out all the different textures and trim. The fashion was fairly dark colors, along the lines of what we call today "earth tones" -- sienna red, hunter green, burnt yellow, muddy brown, etc.

Roots in England - Richard Norman Shaw

The style was named and popularized by a group of 19th-century English architects led by Richard Norman Shaw (1831-1912. PHOTO).

The name is rather inappropriate, for the historical precedents used by Shaw and his followers had little to do with Queen Anne who reigned 1702-14 or the formal Renaissance architecture that was dominant during her reign.

The sources were a combination of 17th and 18th century English and Flemish domestic architecture but incorporated eclectic motifs drawn from many sources. These included the following:

Basements were abolished, and front gardens had wooden fences rather than iron railings.

Shaw designed several small villas in the late 1870s for a new "artistic" suburb of west London called Bedford Park. The basic elements of red brick, white woodwork and features such as porches and oriel windows were rapidly adopted by commercial developers and used into the 1920s.

In America

The Queen Anne proved enormously influential in the United States, where it dominated architectural debate and practice from the 1870s. Shaw's style was given two very distinctive American features: an extensive use of wood, for shingle, cladding, verandahs and decorative facade details, and novel, informal planning.

Queen Anne Style - Table of Contents

One of the most interested American architects was H. H. Richardson. Having studied and worked in France, and from his travels around Europe during the early 1860s, Richardson was keenly aware of the various historical precedents around Europe. Richardson was to do in America what Shaw was doing in England. With the Watts-Sherman house of 1875 in Newport, Rhode Island (PHOTO), Richardson paid homage to some of Shaw's buildings. The Watts-Sherman house was the first American building to be called "Queen Anne." Richardson's growing fame in the second half of the 1870s probably influenced other architects to learn of Shaw's work.

The Queen Anne received its first major exposure in America at the 1876 Centennial Exposition in Philadelphia, where the British government constructed several buildings in the style. It caught on quickly and replaced Second Empire and Gothic Revival styles as the most popular of the times..

American architects came to know and admire Shaw's ideas from a book of sketches he published in 1858, and, especially, pen and ink drawings from 1874 in periodicals, including the first architectural magazine, The American Architect and Building News, which were widely distributed in England and in America. Numerous architectural pattern books provided the designs.

This architectural style is considered a Victorian era style because, like the British Victorians, reaction to the Industrial Revolution led to reexamination of the pre-Industrial Revolution past. A revival of Gothic style architecture was the first manifestation of this romantic portrayal of the past.

Queen Anne became an architectural fashion in the 1880s and 1890s, when the industrial revolution was building up steam.  North America was caught up in the excitement of new technologies. Factory-made, precut architectural parts were shuttled across the country on a rapidly expanding train network. Exuberant builders combined these pieces to create innovative, and sometimes excessive, homes.

Some of the best known Queen Anne houses are the "painted ladies" of San Francisco.

Balloon Framing / Technological developments

One of the most important technological developments during the second half of the 19th century was the advent of balloon framing, whereby the framework of a house could be made out of uniform lumber; this was becoming increasingly available from commercial mills. The framing system comprised inexpensive two-by-four-inch boards, combined as upright studs and cross-members and held together by cheap, mass-produced nails.

Eventually, by the turn of the century, balloon framing replaced traditional hewn timber construction and simplified the making of more complex architectural features, such as overhangs, bay windows and towers.

Advanced manufacturing techniques were also employed to mass-produce finished windows, doors, brackets and decorative turnings, often more elaborate and sometimes less expensive than their handmade counterparts. Along with plentiful building materials,there was also access to an increasing variety of publications on house building: trade catalogues, pattern books and architectural periodicals.


Sources:


See also:


Photos and their arrangement © 2004 Chuck LaChiusa
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