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Styles of Architecture .......... Illustrated Architecture Dictionary
............. Baroque
/ Baroque Revival FURNITURE.............. Illustrated FURNITURE Glossary
Baroque / Baroque Revival architecture
Table of contents:
See also: William and Mary Baroque style furniture
Baroque - 1600-1750Relevant 17th century historical events:
- 1602 - Dutch East India Company founded
- 1603 - Elizabeth I of England dies
- 1607 - The London Company establishes the Jamestown settlement in North America
- 1610 - Louis XIII ascends the French throne
- 1618-48 - The Thirty Years War between Catholics and Protestants
- 1620 - Pilgrims land at Plymouth Rock
- 1626 - Dutch explorers found New York
- 1643 - Louis XIV reigns as King of France from 1643 until his death in 1715
- 1642 - Galileo dies
- 1660 - The Commonwealth of England ends and the monarchy is brought back during the English Restoration
- 1667 - St. Peter's Square, designed by Bernini, is completed
- 1677 - William III of the Netherlands marries Mary, heir to the English throne
- 1682 - La Salle explores the length of the Mississippi River and claims Louisiana for France
- 1689-1694 - Dutch monarchs William III and Mary II rule England
- 1692 - Salem witch trials in Massachusetts.
Etymology: "Baroque" means "curious, odd, or strange" in French. The Portuguese "barroco" means "a large irregular pearl." The term "Baroque" was initially used with a derogatory meaning, to underline the excesses of its emphasis, of its eccentric redundancy, its noisy abundance of details, as opposed to the clearer and sober rationality of the Renaissance.
Definition: a European style of architecture and decoration which developed in the 17th cent. in Italy from late Renaissance and Mannerist forms, and culminated in the churches, monasteries, and palaces of southern Germany and Austria in the early 18th cent.
Religious origin: Baroque was the dominant style of European art between Mannerism and Rococo. This style originated in Rome and is associated with the Catholic Counter-Reformation, its salient characteristics -- overt rhetoric and dynamic movement -- being well suited to expressing the self-confidence and proselytizing spirit of the reinvigorated Catholic Church.
The Baroque originated around 1600. The canon promulgated at the Council of Trent (1545ó63), by which the Roman Catholic Church addressed the representational arts by demanding that paintings and sculptures in church contexts should speak to the illiterate rather than to the well-informed, is customarily offered as an inspiration of the Baroque, which appeared, however, a generation later. This turn toward a populist conception of the function of ecclesiastical art is seen by many art historians as driving the innovations of Caravaggio and the Carracci brothers, all of whom were working (and competing for commissions) in Rome around 1600.
In Italy, Baroque was the Catholic art of the popes (in opposition to the art of the Protestant north where no images were allowed).
Bernini, in Italy, was one of the great Baroque architects.
Spread: In the 17th century, Rome was the artistic capital of Europe, and the Baroque style soon spread outwards from it, undergoing modification in each of the countries to which it migrated, as it encountered different tastes and outlooks and merged with local traditions:
- In some areas it became more extravagant (notably in the fervent religious atmosphere of Spain and Latin America) and in others it was toned down to suit more conservative tastes.
- In Catholic Flanders it had one of its finest flowerings in the work of Rubens, but in neighboring Holland, a predominantly Protestant country, the Baroque made comparatively slight inroads; nor did it ever take firm root in England.
- In France, the Baroque found its greatest expression in the service of the monarchy rather than the church. Louis XIV realized the importance of the arts as a propaganda medium in promoting the idea of his regal glory, and his palace at Versailles -- with its grandiose combination of architecture, sculpture, painting, decoration, and (not least) the art of the gardener -- represents one of the supreme examples of the Baroque fusion of the arts to create an overwhelmingly impressive whole. (The German term Gesamtkunstwerk--"total work of art"--has been applied to this ideal.) In France, as in other countries, the Baroque style merged imperceptibly with the Rococo style that followed it.
Art: Caravaggio, El Greco, Diego Velazquez, Peter Paul Rubens, Jan Vermeer, Frans Hals, Rembrandt.
Music: The term Baroque also is used to designate the style of music composed during a period that overlaps with that of Baroque art, but usually encompasses a slightly later period. Opera was born during the Baroque era.
Composers: J. S. Bach, G .F. Handel, Antonio Vivaldi, Domenico Scarlotti, and Georg Philipp Telemann.
Baroque characteristics:
- Large scale , bold details
- Interpenetration of oval spaces
- Sweeping, curved surfaces
- Conspicuous use of decoration, sculpture, and color
- C and S scrolls,
- Shell motifs (including door hoods and niche hoods)
- Cartouches
- Segmental arch window pediment (rounded pediment)
- Acanthus leaves
- Art: The Baroque movement is by no means exclusively associated with religious art.
Mirrors: Mirrors began to appear in the this century, e.g., the Hall of Mirrors at Versailles.
Architects: Gianlorenzo Bernini, Carlo Moderno, Francesco Borromini, François Mansart, Jules Hardouin, Charles LeBrun. Christopher Wren
England
England's introduction to the Baroque style occurred after the Great Fire in 1666 destroyed most of London. Charles II set out to rebuild London in grand style and appointed Christopher Wren (1632-1723) as surveyor to his court. Wren had traveled to Paris in 1665 and returned to England with countless engravings depicting the ornate French Baroque style. The grandiose nature of the French Baroque style had impressed the king; however, it was ill-suited for London.
Through Wren's achievements, an English national style was established, and he was knighted for his architectural accomplishments. Wren's interpretation of the high Baroque style supplanted excessive ornamentalizing with classic Palladianism.
Baroque Architecture examples:
- San Carlo alle Quattro Fontane (Four Fountains), Rome, Italy
- Sant'Agnese in Agone (Church of St. Agatha at the Circus Agonalis), Piazza Novona, Rome, Italy
- Piazza Novona , Rome, Italy
- St. Peter's, Rome, Italy
- Cathedral,Catania, Sicily
- Opera Garnier, Paris, France
- St. Roch Churh, Paris, France
- Versailles, France
- Canal House Gables , Amsterdam, Netherlands
- Rathaus, Salzberg, Austria
- St. Peter's RC Church, Vienna, Austria
- St. Paul's Cathedral, London, England
- Photo: Dormer - Melk Abbey, Melk, Austria
- Photo: Church pew - St. Stephen's RC Cathedral (Stephendom),Vienna, Austria
- Corbel supporting balcony - Catania, Sicily
- Series of corbels supporting balcony - Catania, Sicily
Baroque Revival 1885-1914
Nineteenth century revival of European Baroque styleWidely adopted in Great Britain and the British Empire from about 1885 until World War I, particularly for government, municipal and commercial buildings.
In France, Baroque Revival is known as Second Empire, a style imported to the U.S, including Buffalo.
Baroque Revival examples from Buffalo architecture:
